After eight days and nights of eating with my hands–think skewered meatballs and shrimp, tuna ceviche on flat bread and itty bitty tacos–I had my first meal on a plate topped with food that I consumed with a knife and fork on Thursday night.
I covered the TIFF party scene for Metro this year. It’s my fifth year reporting on the festival’s nightlife, and–like clockwork–I metamorphosed into something I call a TIFFhole. I define what this is here. If you have no interest in reading that, I’ll quote myself, which is a really TIFFhole thing to do: “The transition to TIFFhole is a well-known phenomenon in some circles. It’s two weeks of obsessing over party invites, name-dropping and filing stories as the sun rises,” I wrote. “The TIFFhole is a werewolf, ashamed of what it’s become but hungry for its prey and the second-rate rubbed off luminosity of being in close proximity to the stars that it’s hunting.”